The Ship from Atlantis Page 3
When Gwalchmai became conscious the sun was low and he still lay where he had fallen. His fingers were cramped tightly upon the sword hilt. He rose and looked about him. The sea was very quiet. The channel banks had closed and left no marks of their separation. There was nothing floating to show where the Feathered Serpent had lain.
He turned his attention to discovering an entrance to this peculiar craft. He sought for a long time and found nothing.
A little before dusk he concluded that a rectangular hairline, just abaft of the neck and between the shoulders of the artificial fowl, might be a doorway to the mysteries below. Still he could not conceive how he was to get inside. He tried to force the point of his sword deeply enough to pry up an edge of this space, but although the substance gave to the pressure he could not scratch or move it.
At last, in darkness, he gave up the trial and lay down to sleep upon the queer metal which could not be damaged yet was soft beneath his body. It now seemed resilient and warm with a curious aliveness. He could not free himself from the thought that the great bird was aware of him, pitied him, and would care for and protect him through the hours of the night.
Although Merlin's magic potion had preserved his life, it could not forever eliminate the needs of the body. Hunger and thirst lay down with him and rose with him under the fiery morning sun. At dawn he attacked the supposed entrance again, but without fortune. By midday his misery had become acute.
The ruddy golden metal, so comfortable during the night, became a torturing grill under the tropical heat. He had lain upon his bunk in the drifting dragon ship, when the pitch stewed from the deck seams above him, but although the air had been close and hard to breath there had been shade, and water to drink. Here there was neither and he suffered.
Beneath his unprotected skull, his brain seemed to be cooking. He spoke or swallowed with great difficulty. He immersed himself twice in the tepid brine and obtained some relief, but the third time he found it almost impossible to climb back upon the broad wing and dared not try again.
At last, despairing of any help, he croaked, "Open! Open!"—and stopped, astounded at the effects of his command. Before him the door which all his efforts had been powerless to force was raising lightly without a sound. A short flight of steps led downward to a cool place of half-light, and a tinkle of purling water came up to greet him. There was no one on the stairs and no sign of whoever had opened the door.
Without hesitation he descended and as his weight left the bottom step the door above dropped into place as quietly as it had arisen.
III
THE IMAGE IN THE ALCOVE
It was like descending beneath the surface of a still, clean pool. Through the translucent sides of the ship, sunlight streamed in, made more golden by the medium through which it passed. The reflections at the waterline, which was plainly discernible, mingled and blended into gradations of amber and jade, shading off by degrees into aquamarine as the water deepened.
The floor was chequered with black and white squares and the interior of the ship was very quiet until he strode forward, searching for that welcome sound of trickling water.
Instantly a chiming of fairy bells rang sweetly, in chords and pizzicato runs. He stopped, perplexed, and when he did so the music also ceased. Obviously there was a connection between his movements and the elfin sounds. He noticed that, at the moment, he was standing upon a white square.
He pressed gently upon a black square with one experimental foot. A faint trilling run of silver notes replied, which repeated itself more loudly as his full weight came upon the square. He stepped away to an ivory block. Silence followed. At this explanation of the mystery, his brow cleared and he walked boldly on, while every step meant harmony.
There were the sounds of harps and dulcimers as he progressed further, enraptured by beautiful scenes and vistas upon the walls, neither painted nor graven there. These seemed like magic windows through which he gazed upon lifelike displays of marble cities thronged by handsome, sturdy men and lovely women, so real that it seemed the breath of his passing should ruffle their flowing robes.
Thrumming woodwinds provided an undertone, as he walked on, to the higher notes of violin and monochord, blending and sinking away to a sighing murmur of waves when he stopped before a harbor view. Great ships, similar to the one he was exploring, breasted the water or were drawn up beside long quays where throngs of dark skinned slaves were about the business of discharging cargo.
High in the air soared other ships, equally at home in the clouds as on the ocean, while at the entrance to the bottlenecked port, another was landing, its wings half-furled, broad webbed feet thrust wide like a gull's, to meet the impact of the waves.
He passed on. Trumpets brayed and clamored, drums growled menacingly as he strode by a scene of war. From the sky the swan-ships shot down levin bolts to meet the jagged lightning streaming up from the squat cities below. With seared off wings the warring craft fell wheeling, to be lost in clouds of fire and rolling smoke above the crumbled walls and towers.
Gwalchmai turned away. It was only a picture. Thirst again drove him on. At the end of the long room, two passages opened and diverged. He trod upon a white rectangle and while he hesitated the music died away.
The left-hand corridor curved sharply, as though it led back and around the wall of the room in which he stood. Its floor and walls, once white, were now the sunwarmed hue of old ivory, for dust lay thick upon them. The other passage bore straight ahead toward the neck and head of the giant fowl, but its end could not be seen for vision lost itself there in blackness.
Somber were the walls and ceiling, and the floor, once shining like polished ebony, was also dull with dust. Yet in this obvious evidence of long years of disuse and neglect could be seen unmistakable proof that somewhere within its eery depths was—life!
Here were tracks, recently made, human footprints and quite small, pointing in both directions. He bent above them, studying them, calling upon his experience in trail tracking. The tracks had been made by bare feet, delicately shaped, and the person who had made them had been in haste. Coming out of the dark corridor, the toe-prints were clear and distinct. Only occasionally had the dust been scuffed by a heel. Overlaying some of these were clear outlines of the whole foot, created as that person, walking, had returned. There were two sets of these spoors, made by the same feet. Twice, then, someone had come running out of that passage and re-entered it more slowly. Could it be the one who had opened the way for him?
He hesitated only a few seconds, though he could feel that some indefinable menace lay waiting in the dark way, like a beast of prey lurking beside the path which its hunter must eventually tread. Gwalchmai smiled faintly, a little nervous trait which marked him and which some men had learned to dread—but only with his lips.
His sword slid from its sheath. Surely it was better to reckon early with whatever he might find and either render it harmless or learn in what manner he could dwell with it in peace. He entered the passage. Immediately he felt that the crouching beast had pounced.
Drums and brasses crashed deafeningly against him, threaded by a clarion trumpet cry as counterpoint. The uproar drowned out the sound of the fountain he sought. Almost at once, he found he had approached a ramp. He set his feet to it in the threatening dark and began to climb.
As he advanced further down the narrow way, a curious menacing note crept into the sounds. A discordant violence was disrupting the harmony, almost seeming to become an articulate bellowing, warning him against further daring. Did something forbidden lie ahead?
Once again, the feeling came to him that this great bird-like ship was something more than a mere fabrication of metal. Was it a living creature after all and these sounds its voice? Did harmony denote approval of his actions—and violent discordance indicate its disapproval and anger?
He felt himself being absorbed into the very gullet of the creature, but with his lips grimly set he stumbled on, probing into the almost tan
gible blackness with his sword-point. He pressed deeper into a deafening clamor of desperately crashing kettledrums and roaring serpentines, excruciatingly off-key; farther still into the stunning uproar, the jarring assault upon his ears and being. The very bones of his head thrilled and hummed with the painful vibrations which deafened him. On then! On with throbbing temples and fire-filled skull—to burst suddenly into another room, smaller than the first, peaceful, quiet, and drowned in pale green light.
The brilliance dazzled him and an instant hush, somehow ominous, rocked him like a blow. Intuitively, he felt that he was where he should not be, that this sanctum was the spot from which he had been meant to be turned aside by the strident voice of the ship. The commotion ceased, it was true, but now he sensed that he had made an implacable enemy. There was a feeling of hatred around him, never to leave him while he was on the ship. He was constantly to be aware of this sensation of something inimical, the "genius loci" perhaps, which he had offended and which, being deadly, powerful and patient, bode its time.
Without present thought of this, he now saw the fountain whose liquid invitation had drawn him thither, and running across the room, he plunged his aching head beneath the surface of its clear sweet pool. Limpid as the water was, the temptation to indulge immoderately proved very strong and only with a distinct effort could the young Aztec force himself to withdraw from it.
Not until then did he see the girl who watched him.
She stood upon a little dais, raised slightly from the floor, set in an alcove in the farther undecorated wall. She was completely nude; no clothing could have enhanced the glory of her form, nor did any embarrassment appear upon her perfect but expressionless features. With both hands extended slightly in a beseeching attitude she seemed to invite him nearer.
For a few long seconds Gwalchmai stared across the face. Neither spoke, nor was there any interrupting sound except the musical plashing into the pool.
Sunlight poured through the translucent emeraldine ceiling, upon a rose-pink floor, reflecting upon the fair body before him, rendering it lovely as a dawn-colored pearl in its nacreous home. Time stood still, waiting-Then he rose to his feet, skirted the pool, moving forward not recking where he trod, bemused with beauty. Something crunched and splintered dryly beneath his moc-casined feet and looking down with no great surprise, for everything here was strange, he saw that he trod in a tangle of human bones. He stepped over them with more care and confronted the girl. She did not move or show fear of this strange intruder into her lonely home.
Half timidly for one who had so bravely faced the sea-snake, he laid his hand upon her shoulder—and with a short laugh of disillusionment, he recoiled. Here was nothing human, to be companion for him in the wastes!
It was an image only, formed from the same odd metal as the ship, ruddy as his own skin, warm, stronger than bronze or steel, yet softer to the hand almost than living flesh. Was there life here—of a sort?
He could not be sure. Again he touched her—cheek, throat, breast. Her hair lifted lightly in his palm and stirred to his breath. The substance of her body dimpled to the pressure of his finger tip, but so did the very wall behind her! Yes I She was metal. It was a strange, marvelous, uncanny metal, but she was unhuman.
There was one more test that he could make, though he felt that it was desecration. His blade was still unsheathed. He touched the point to her side and drew it down from breast to thigh; then, as she did not wince or change expression, he set it against the delicately rounded hip and twisted vigorously.
No scratch, no imporession marred the diamond hard surface of her shapeliness—she was metal and an image, nothing more!
Deeply disappointed and lonely, he left this tantalizing mystery and inspected the bones to learn from them whatever he could. Dry, desiccated, crumbled away almost to dust, they powdered when he touched them, proving indisputably the hoary antiquity of these remains.
One skeleton was that of a woman, for it was adorned with a richly wrought golden necklace, but the other bones were certainly male. A short dagger lay at one hip and a small bell-mouthed instrument at the other. If a belt had once joined and supported these there was no sign of it now, nor any threads of clothing, but the metal was un-corroded by time.
He picked up die unfamiliar implement and examined it curiously. Could it be a weapon? Too light for a war club-perhaps a missile thrower of a sort? But the bell mouth was closed over by a thick curved piece of heavy crystal. No missile could be ejected through that! Life had suddenly become full of mysteries! He observed that the bones of the warrior's legs were broken between knee and ankle and knowing he had not trod in that direction, he bent to look at the fractures. As he did so, his finger slipped into a loop near the handle of the thing he held, unconsciously twitching it tight.
Ttie next instant a dazzling flare of light almost struck him blind. The weapon, definitely proven to be such, leaped in his loose grasp and the concussion filled the room with dust.
When he could again see plainly, both skeletons had vanished, as had the golden necklace and the dagger sheath. The blade itself, molded from that mysterious sparkling metal, was not injured and the floor it lay upon was unharmed, though blackened by char and soot from the bones.
Respectfully, he eyed the powerful and deadly thing he held. Something like this, much larger, had killed the beast he had fought! If this needed an agency to set it off, then clearly the other weapon had been fired with intention—to save his life. By whom?
The question could not be answered at present, but he determined to make a thorough search of the ship and find his unknown benefactor who so shyly avoided the thanks due him.
Three days later he was still searching, but without much expectancy.
During that time he had poked and pried into every dusty nook upon the ship, from the galley situated in the tail of the bird to the tiny chamber back of the great goggle eyes, still unlidded as he had seen them from outside. Here he had peered out and over the yet partially opened beak, and, by pulling a lever attached to an enormous replica of the belt weapon which he had appropriated, had seen the lightning crash into the sea, lashing the stagnant weed with crackling flames.
This was the manner of it, then, but where was the operator, his unknown savior? Not in the laddered neck which led down again to the room of the fountain, nor in the larger room he had first entered. He took the other corridor to the left, which wound down and around that room to a lower level.
Here were darker chambers, though illumined by a lambent shimmering inherent in all the walls. Forward, in the breast of the bird, was a large cargo compartment crammed with chests of flexible paper-thin metal which would not tear or be cut by sword edge. They opened easily when he tugged gently upon a small tab which he found was always situated in the upper right hand corners. Air hissed inward when he opened them, proving that they had been hermetically sealed.
These stores were the saving of him. In some chests he found dried fruits, in others a thick meaty paste, almost like pemmican. This was savory and good. Whatever the chest might hold, it needed only water to make the food swell into a tasty meal. In those three days he had learned to recognize the symbols which distinguished the two articles of food and although he felt sure that other edible substances were yet to be found, these alone were ample for his needs.
He discovered heat in the galley, by accidentally leaning against a wall stud; almost at once, a grid of coils set in. a metal box against the wall had begun glowing red. Above this radiant heat he did his simple cooking, in pots of unfamiliar shape, eating with his fingers and knife from dishes such as he had never seen.
Water came from pipes in the wall, fed, he was sure, from the reservoir upon the floor above, where the little fountain constantly played without ever filling the catch basin to overflowing.
Centrally, below the water line, were machines, and here Gwalchmai was entirely bewildered. He guessed that their purpose was to propel the ship through the water, for he could
trace massive rods and levers from their first connections to the legs of the immense swan. Suspecting that, before the wing outside had been injured, this craft might have flown in the manner he had seen in the murals, he had verified this thought by further research. Other rods eccentrically wrought and bent to meet the shoulders from which those pinions hung proved his theory correct, but he remained mystified, unable to guess what power motivated the ship.
This room of machines was a room of dread. It was filled with a buzzing, a humming, which occasionally took on the very timbre of a snarl which issued from deep within the maze of wheels, levers and cogs. When this happened, Merlin's ring, which he still wore, became warm upon his finger. He did not know the cause, but he intuitively felt it to be a warning of danger and felt himself threatened. Occasionally also, fat blue sparks spat between metal and metal, without apparent reason, shaking his edgy nerves as he tiptoed cautiously about the room. He saw beneath his feet the little fish darting beyond the plates of metal, which here were quite transparent. He touched nothing, though his devouring curiosity compelled him to slide between the levers and pry into every cranny without success in his search for other life.
There was life here. He could feel it surging about him, prickling his skin, causing his scalp to burn and itch, his hair to rise, his feet to tingle—but it was not life as he knew it.
There was nothing human in the cold ferocity which he felt constantly regarding him. He was not daunted by it. His courage had never been questioned, but he felt uneasy in this eery place of power. Gwalchmai doubted now that anything even remotely approaching human emotion could be assumed as a part of this terrible hatred which he felt weighing upon him, close as a second skin.